"You’re Mine You" marked Sarah Vaughan’s second recorded collaboration with Quincy Jones, following a Mercury album titled "Vaughan and Violins", which was taped in Paris, France, on July 7-12, 1958, and featured the singer backed by a string section. This isn’t the case with the album presented here, on which there are just a few touches of strings and a strong big band occupies the forefront.

According to All Music Guide critic Scott Yanow, “This LP finds Sarah Vaughan backed by big-band and string arrangements from Quincy Jones that could easily have been used for a Frank Sinatra date. Vaughan’s voice is typically wondrous and sometimes a bit excessive on the ballads but in top form on the more swinging numbers. In the repertoire are such tunes as ‘The Best Is Yet to Come’, ‘The Second Time Around’ and ‘Baubles, Bangles and Beads’. The set should please those who love the sound of Sassy’s remarkable voice.”

PERSONNEL:
SARAH VAUGHAN, vocals
Orchestra arranged & conducted by QUINCY JONES
New York, January 1962.

TRACKS:
SIDE A:
01 YOU’RE MINE YOU
02 THE BEST IS YET TO COME
03 WITCHCRAFT
04 SO LONG
05 THE SECOND TIME AROUND
06 I COULD WRITE A BOOK
07 ONE MINT JULEP (*)
SIDE B:
01 MARIA
02 BAUBLES, BANGLES AND BEADS
03 FLY ME TO THE MOON
04 MOONGLOW
05 INVITATION
06 ON GREEN DOLPHIN STREET
07 MAMA, HE TREATS YOUR DAUGHTER MEAN (*)
(*) BONUS TRACKS Same personnel and date, but not included on the original LP. Originally issued in 1962 on the 45rpm single Roulette 4413.